A 1966 flying saucer, refurnished in shades of blue.

The Evoluon was built in 1966 by Kalff and De Bever, a concrete flying saucer about technology and the future. For Next Nature's exhibition, M+R interior architecture filled it in a blue palette. Lensvelt supplied a whole cast: Maarten Baas 101 chairs and barstools, three AVL Skulls, Shaker, twelve AVL Presidential chairs, Aluminium, Loop, Gispen 205, 301 and 302, and adjustable 4000 tables. Plus a DeLorean.

A newsroom for 3,000 people, built around one diagonal canyon.

OMA stacked terraced work floors around a vast atrium, a few blocks from Checkpoint Charlie. Lensvelt furnished everything in between: custom sofas in twelve shapes, OMA-designed island seats, acoustic lockers and Stealth cabinets. Seventy-two truckloads in seven months, in the middle of a pandemic.

A former nursery school that hid hundreds of children now tells their story.

Office Winhov restored the old Kweekschool opposite the Hollandsche Schouwburg and made its history part of the building. In the auditorium, linked This 141 chairs in deep greens and reds; in the café and classrooms, oak 2THRD chairs, round 4000 tables and stackable RNA tables.

Lunch on the roof of the world's first publicly accessible art depot.

On the sixth floor of MVRDV's mirrored bowl, Concrete designed café-restaurant Renilde and event space Coert. The tables fold away into walls, so the room switches from dinner to lecture in minutes. Around them: a colourful crowd of Maarten Baas 101 chairs.

Cherry blossom and neon nights, translated into sofas.

Japan's first W Hotel rises 27 floors above Midosuji Boulevard. For the Living Room, Concrete went for 'extravagant simplicity': Atelier Van Lieshout's Glyder sofas and poufs in deep, saturated colours, under a canopy of glowing light signs.

A place for free speech, right next to Parliament.

Nieuwspoort is where politicians and journalists meet, eat and talk. The Thirsty Fisherman made the press centre warm: a walnut bar, orange walls, a golden chandelier. Lensvelt added Maarten Baas barstools, W.H. Gispen 205 chairs, 4000 tables and This 141 chairs for the press room.

Work hard, play loud, high above the IJ.

In the former Shell tower, Beyond Space split Sony Music's floor into work and play, in a palette of grey and green. Closed rooms hug the core, so the river views stay open. The boardroom table has a vinyl top and doubles as a DJ booth.

An 18th-century temple of the Enlightenment, with a chair of its own.

Felix Meritis on the Keizersgracht was built in 1788 for a society devoted to arts and science. When i29 renovated the interior for Amerborgh, they designed a chair for it and developed it with Lensvelt: the Felix chair. Light, stackable and comfortable, so the historic halls can switch from lecture to dinner to concert.

A former ministry, rebuilt to keep changing for 25 years.

OMA transformed the former VROM ministry next to The Hague Central Station into a home for several government departments. It was the first public-private partnership of its kind, with more than 500 pages of requirements. The interior had to stay adaptable for 25 years, so Lensvelt supplied furniture that can move with it: OMA Blocks for sitting and lounging, AVL Office Chairs and AVL Presidential Chairs.

A golden façade in Weert, with Maarten Baas behind the front door.

Museum W sits in the centre of Weert, behind a glowing gold Tecu façade. Maurice Mentjens designed the interior. Maarten Baas 101 chairs welcome visitors at the entrance, the wooden version furnishes the meeting rooms and This chairs fill the attic under the old roof beams.

Six years, sixteen hours a day, and the chairs came back for a second life.

When the Stedelijk reopened in 2012 with Benthem Crouwel's white 'bathtub', Lensvelt furnished the public spaces: W.H. Gispen 301 and 302 easy chairs, coffee tables, No Sign of Design, Crate cabinets, This 141 chairs, Glyder and Workbench. Through the Circular Pool, the furniture was rented rather than bought. After six years of daily use, sixteen hours a day, it came back to Lensvelt.

Student housing since the 1950s, now 518 hotel rooms in soft blue.

Casa started out as student housing in the late 1950s and grew into a hotel with 518 rooms. For the renovation, i29 worked with textile designer Mae Engelgeer on calm rooms in wood, felt and blue. Every room has a Felix chair at the desk.

A living room for a whole neighbourhood, in red, yellow and blue.

WOW Lieven is a hostel, café and meeting place in Amsterdam Nieuw-West, made with De Key and Bureau Broedplaatsen. Carlo Alberto Monteverde split the 200 m² ground floor into three colour zones. Red, yellow and blue chairs by Maarten Baas, W.H. Gispen 301 easy chairs, 4000 tables and No Sign of Design make each zone its own world.

A 19th-century concert hall with a green new wing.

van Dongen-Koschuch connected Arnhem's historic concert hall to a new wing, clad in green ceramic tiles, for the municipality. It won the Heuvelink prize in 2018. Lensvelt furnished the foyers and offices: the Boring Collection, Stealth cabinets, AVL Office Chairs in black leather, PH1 barstools and six Glyder poufs.

Aldo van Eyck's orphanage, now an office for 150 people.

Aldo van Eyck's Burgerweeshuis from 1960 is a national monument and an icon of structuralism. Wessel de Jonge restored it as the headquarters of BPD, with an interior by Ex Interiors. Lensvelt supplied the Boring Collection, Boring task chairs and AVL Office and Presidential chairs, fitted into the domes and courtyards of the original plan.

A brasserie in the station hall of the 'Transistor Radio'.

Eindhoven's 1950s station, nicknamed the Transistor Radio, now has a café and brasserie in its central hall. Studio Linse restored the chandeliers and combined them with a light terrazzo floor, oak, marble and brass. Throughout, Gispen 101 and 202 chairs in earthy browns.